Performing at the Aoyama Moon Romantic

In September I wrote a review of one of my favourite Japanese bands, Mushi Furuu Yoru Ni. As well as their stunning performance, I was also enchanted by the venue – The Aoyama Moon Romantic (青山 月見ル君想フ). The Moon Romantic is a ‘live house’ (Japanese English for gig venue) in Omotesando with idiosyncratic yet ever-so-trendy décor including a FRICKIN HUGE MOON behind the stage. When I was awed by that gig in September I didn’t think that I would be playing my harp at the very same amazing venue 6 months later.

A couple of months ago, my boyfriend decided he wanted to start gigging in Japan and so started sending out his music to various live houses. On a whim, he chose to send his EP to the Moon Romantic, not thinking that they would want an unknown to them to perform. Surprisingly, they wrote back really quickly, saying that they would love to have him play just two months later! We often play together, though it’s more common for him to play on my music than vice versa, or for us to play covers together. We wanted this gig to be special so we decided it was time to reverse roles. We had fun figuring out which songs would work with a sprinkle of harp or female backing vocals. A couple of weeks practicing and plugging the gig to our friends and followers flew by and then it was show time!

harp tokyo metro
Me looking super grumpy on the train after carrying my harp in the rain

A less glamorous part of the day was walking from Meiji-jingumae station to the gig with harp, keyboard and the rest of our gear. Believe it or not, taxi prices are even worse in Tokyo than London and so my spindly arms and I were hating life a bit. Mostly I can do fine living without a car but it’s times like this when I really miss my bashed up Vauxhall Vectra.

harp backstage Aoyama Moon Romantic
When you’re instrument is a little too big for the backstage room…

When we got there everything was great though. The venue’s set up and treatment of my harp (something I always worry about outside the classical arena) was really professional. Something I’ve noticed when hanging around gigs in Japan so far is that soundcheck appears to be more thorough – I’m used to the, “Is it plugged in? Good,” approach but sound engineers in Japan sometimes want you to run through your entire set. I really enjoyed chatting with the bands backstage, and they were kind about my harp taking up more than it’s fair share of space…

It was both of our first times performing to such a large crowd in Japan so we were nervous. In the end though, we had a lot of fun on stage and our set was well received. Performing in such a beautiful venue felt magical. The other acts were all of a really high standard and we felt proud to be able to play alongside them! I would particularly recommend checking out Mami Kawamae, an impressive vocalist with a lot of energy and large presence for a solo act.

Here’s a video of us playing one of Arthur’s songs spaces. We really hope we can perform here again!

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s