In the autumn I posted about joining a heavy metal band in Japan and a few weeks ago we had our first gig together! Post is super late due to a trip to Kyoto with my family and several other significant occurrences which will no doubt be blogged about in due course.
My band’s name is Gjöll and we play melodic metal. I joined the band as part of a drastic line up change, which has resulted in a dramatic change in sound. They had one release before I joined and we’re currently in the process of recording another, so hopefully soon I’ll be able to blog about what it’s like to go into the studio in Japan!
Our gig was at the Crescendo Live House in Kichijoji and we were honoured to play alongside some amazing acts including the awesome Aresz from Osaka who have been playing together for over 20 years. We had our soundcheck and rehearsal then I went off to enjoy the nearby Studio Ghibli museum in the hours before the gig.
Sound-checking in Japanese is an anxiety button of mine. I don’t like doing it in the UK either because sound engineers rarely know what to do with the harp and there’s only so many times you can say, “I still need more in the monitors,” before you start to annoy people. But in Japanese it’s even worse, what with all of the specific vocabulary and because the distance between me and the sound engineers means that I can’t rely on my usual hand gestures and significant looks to make up for my poor language skills. But I got through it and I was very impressed with the professionalism of the Crescendo’s staff.
It’s less common to see foreigners in smaller music venues than in larger gigs (where sometimes we dominate the audience…) but if I’m the only non-Japanese in the room it doesn’t bother me at all, obviously. What I do find excruciatingly embarrassing is when the bands point it out… from the stage. Believe it or not, this happens almost every time I go to a concert in a small venue. The last visual kei gig I went to one of the bands said こんばんは to the audience and then looked directly at me to say ‘Good evening,’ causing everyone to turn around and stare. I know this is kindly meant but it makes me wish a trap door would open underneath me. So when Rumiko, the gorgeous singer from Aresz comments on the ‘international’ nature of the audience and apologised for not being able to speak English the Britishness in me could not handle it. “Please, please don’t apologise! You are not expected to change anything your amazing band does in any way on my account!”
We were on last and thankfully everyone stuck around so we played to a nice crowd. I was pretty nervous – not only was this my first gig with them it was the first time I had sung without the harp in front of an audience in ages. Even though singing with the harp is very complicated, I guess I feel I can hide behind it. But there was such a friendly atmosphere in the audience and we had been practicing really hard which gave me confidence. I really enjoyed performing and I can’t wait for the next one!