2017 has been the year where I entered the wonderful world of playing the harp standing up!
One of the reasons I decided to take my little purple harp to Tokyo was because I wanted to play standing up. Before coming to Tokyo, I had owned my little harpsicle harp for a couple of years and it had been great to take with me to low key gigs, but I hadn’t been brave enough to perform standing with it yet. But if I was going to go through the trouble of bringing a harp to Tokyo I was going to bloody well learn!
After all metal is more effective when you can jump around a bit…
I bought a guitar strap from the Yamaha shop in Ginza and started experimenting. The main problem I had was one of angle – I like to have to the straps tight-ish so the harp close to my body and I don’t have to lean down, but I’ve found that if I get it into optimum position, the strings are out of eye-line? This is fine for simple songs I know well, but I can’t imagine sight reading standing up or attempting pieces with a lot of lever changes for this reason. I’m still working on this issue and if there are any veteran standing harpists out there I would love to hear your tips! Nevertheless, as I play standing mostly when I’m accompanying myself singing it hasn’t been a big problem. I’m just sticking to basic arrangements and gradually gaining confidence as I perform standing more and more.
For my recent EP release party and other ‘big important gigs,’ as well as events I’m booked for, I still go for the bigger celtic harp but I am enjoying the freedom of being able to play standing up when I want to. I find I can connect with the audience in different ways when I can walk and move more and I can breathe really well and project my singing voice. I’m always using for ways to break new ground and expand my musicality, and this has been an enjoyable one!
If you have tried playing your instrument in a different way, please let me know how it went!